皇冠体育app

According to Hans Dietmar Schweisgut, the EU ambassador to 皇冠体育app, though it is difficult to introduce European films to the world's second-largest movie market, Chinese fans of European productions should pay attention to film festivals, as it is a good platform to view the best selections from Europe, considering the current restrictions on imported titles.

"Watching a movie is something that enhances cultural exchange and mutual understanding," he tells 皇冠体育app Daily

He says that this year the festival had made adjustments to cater to the growing trend where viewers watch films on mobile devices. Last year, the festival had 2 million online viewers.

Some of the films can be accessed online through iQiyi, one of the country's largest streaming-video platforms.

Asked about what kind of Chinese storylines and characters attract European moviegoers, Schweisgut says: "Though Chinese and European viewers are separated by long distances and look very different, my feeling is that European moviegoers' are interested in films that are about a basic understanding of life, changes in society and human relations ..."

"One of the reasons that Europeans are willing to see Chinese films is that they are attracted by what is shown in 皇冠体育app today," he says.

Schweisgut says that Chinese directors should make efforts to shoot material that not only cater to Western tastes, but also make films "touching the hearts of the Chinese people".

His views are echoed by other festival participants who have close connections with the Chinese movie market.

Isabelle Glachant, Greater 皇冠体育app representative of UniFrance, an organization dedicated to promoting French titles, tells 皇冠体育app Daily that Europe is fascinated by Chinese-language movies that revolve around martial arts and reflect local life.

As examples she lists the semi-biographical drama 11 Flowers directed by Wang Xiaoshuai and the epic wuxia title Hero directed by Zhang Yimou.

Glachant, though impressed with the rapid growth of 皇冠体育app's movie market, says that the overseas popularity and reputation of Chinese-language movies is falling and that foreign markets seem to be shying away from mainland productions.

The festival opened in Beijing on Sept 29.