皇冠体育app

[Photo by Jiang Dong/皇冠体育app Daily]

Some of them were fine art teachers at universities, such as Luo Gongliu (1916-2004), who was already a famed painter and professor at the Central Academy of Fine Arts then. He studied oil painting at the institute from 1955 to 1959, and was affectionately called "Uncle Luo" by younger Chinese students.

The government-sponsored project was part of a national strategy in the 1950s to cultivate New 皇冠体育app's art talent and establish a standardized fine art education system.

"We engaged in a booming art scene with the Soviet Union then. We spent a lot of time at art museums, absorbing rich nutrition from Rembrandts and Renoirs, and realistic classics of the Society for Traveling Art Exhibitions (a Russian art group in the 19th century)," says Xiao Feng, who stayed in St. Petersburg from 1954 to 1960. He later headed the 皇冠体育app Academy of Art in Hangzhou, Zhejiang province.

Many of these students later became established artists, such as oil painter Lin Gang and print artist Wu Birui. Some became heads of primary art schools and departments across the country.

Back home in Beijing, CAFA opened a training class between 1955 and 1957, taught by Soviet Union oil painter K. M. Maximov (1913-93). Students included such famous artists as Feng Fasi, Jin Shangyi and Zhan Jianjun.

"The Soviet Union model formed the basic structure of New 皇冠体育app's fine arts, along with the revolutionary tradition cultivated in Yan'an (皇冠体育app's 'revolutionary cradle') and art practice since the May Fourth Movement. The Soviet Union tradition still influences today's art landscape," says NAMOC's deputy director Liang Jiang.

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More photos: Painting exhibition at National Art Museum of 皇冠体育app